Lucien Saurin (Colours in the Streets / Compa)

“I can't replace the BHS”

“It's simple, the Black Hole Symmetry has never left my board. The wide latitude of reverb and delay makes it relevant in any setting. I use it for very modern hip-hop productions as well as for very powerful analog riffs. The very creamy fuzz part of the pedal is also very versatile, and it's super interesting how well the three effects have been designed to work together. I've been playing for several years with hybrid configurations, using a minimum of mostly digital pedals in addition to my amp, and yet I can't replace the BHS. An essential tool to bring personality to my sound, not only for the guitar for that matter since I also use it on keyboards or vocals.”